A While Back...
Sep. 13th, 2011 10:00 am...I was talking on Facebook/Twitter about the fact that when I try to think of what "I want" in a stand-alone novel--ie, the sort of stand-alone novel I'd write, given my druthers--all that comes up is a list of influences. I do think the generational idea for such a story would have to be similar to the sort of ideas I used to develop screenplays out of (though frankly, I haven't done that in a while), but OTOH, I don't want to paint myself into a corner where I have to do a shitload of research, either (which lets out things like taking my screenplay for Lilim and pulling a Johnny Gruesome with it, because I can just get away with handwaving things in script form that really would not fly if similarly handwaved in novel form).
So--something between the templates set by various novels I've liked a lot recently and various movies I continue to love. It'd be great, for example, to be able to create the novelistic equivalent of an Argento film, a completely crazy supernatural giallo, albeit without the reflexive misogyny...but is that even possible? Maybe if you cross-bred its driving aesthetic with the sort of intimate puzzlebox storytelling you get with Susan Hill and F.G. Cottam, a nu-M.R. James tone; Adam LG Nevill's very good at that, and his most recent book (The Ritual) has an intimacy and visual sensibility that makes it seem incredibly cinematic.
I don't know, though. So many of the things I love right now are multi-part narratives (Millennium, Locke & Key, etc.), I feel sort of defeated before I start.
So--something between the templates set by various novels I've liked a lot recently and various movies I continue to love. It'd be great, for example, to be able to create the novelistic equivalent of an Argento film, a completely crazy supernatural giallo, albeit without the reflexive misogyny...but is that even possible? Maybe if you cross-bred its driving aesthetic with the sort of intimate puzzlebox storytelling you get with Susan Hill and F.G. Cottam, a nu-M.R. James tone; Adam LG Nevill's very good at that, and his most recent book (The Ritual) has an intimacy and visual sensibility that makes it seem incredibly cinematic.
I don't know, though. So many of the things I love right now are multi-part narratives (Millennium, Locke & Key, etc.), I feel sort of defeated before I start.